Voice and Temporal Auditory Processing in Elderly People: A Correlation Study.

Introduction The voice and hearing can be affected to different degrees by aging, which can cause communication difficulties for elderly people. Vocal production requires effective temporal auditory processing at central levels within the nervous system, which can be compromised by the aging process. Objective To analyze the correlation between voice and temporal auditory processing in older adults. Materials and Methods A total of 40 elderly people aged 60 years or older were subdivided into 2 groups according to the presence or absence of vocal symptoms measured by the Voice Symptom Scale. All of the participants were submitted to auditory temporal tests, vocal self-assessment, and acoustic and perceptual auditory analyses of voice. Results Most of the subjects assessed had decreased voice intensity and normal variability in terms of vocal quality. The performance was normal in the Pitch Pattern Sequence test and altered in the Random Gap Detection test. In the Masking Period Pattern test, the detection thresholds for the target signal were increased in the presence of masking in different temporal target signal positions. Only pitch differed between the two groups. There were differences between the genders regarding frequency, shimmer, the overall severity of the alteration, and roughness. There was a correlation regarding temporal resolution ability and the overall severity of the alteration and roughness of the voice. Conclusion There is a central auditory impairment in temporal resolution which is correlated with vocal alterations in the elderly.

Effect of Wendler glottoplasty on voice and quality of life of transgender women.

OBJECTIVE: To investigate the effect of Wendler glottoplasty on voice feminization, voice quality and voice-related quality of life. METHODS: Prospective interventional cohort of transgender women submitted to Wendler glottoplasty. Acoustic analysis of the voice included assessment of fundamental frequency, maximum phonation time formant frequencies (F1 and F2), frequency range, jitter and shimmer. Voice quality was blindly assessed through GRBAS scale. Voice-related quality of life was measured using the Trans Woman Voice Questionnaire and the self-perceived femininity of the voice. RESULTS: A total of 7 patients were included. The mean age was 35.4 years, and the mean postoperative follow-up time was 13.7 months. There was a mean increase of 47.9 ±â€¯46.6 Hz (p = 0.023) in sustained/e/F0 and a mean increase of 24.6 ±â€¯27.5 Hz (p = 0.029) in speaking F0 after glottoplasty. There was no statistical significance in the pre- and postoperative comparison of maximum phonation time, formant frequencies, frequency range, jitter, shimmer, and grade, roughness, breathiness, asthenia, and strain scale. Trans Woman Voice Questionnaire decreased following surgery from 98.3 ±â€¯9.2 to 54.1 ±â€¯25.0 (p = 0.007) and mean self-perceived femininity of the voice increased from 2.8 ±â€¯1.8 to 7.7 ±â€¯2.4 (p = 0.008). One patient (14%) presented a postoperative granuloma and there was 1 (14%) premature suture dehiscence. CONCLUSION: Glottoplasty is safe and effective for feminizing the voice of transgender women. There was an increase in fundamental frequency, without aggravating other acoustic parameters or voice quality. Voice-related quality of life improved after surgery.

Voice therapy with a respiratory approach in older adults: the practice of Brazilian speech-language-hearing therapists / Terapia vocal com abordagem respiratória em idosos: prática de fonoaudiólogos brasileiros

ABSTRACT Purpose: to investigate the practice of Brazilian speech-language-hearing therapists in voice therapy for older adults focused on breathing and verify possible associations between taking specific courses and having knowledge of respiratory parameters, between using incentive spirometers and respiratory devices, and between age and the use of these instruments. Methods: the sample had 156 specialists in voice, contacted via email, who answered a form in Google Forms. Specialists in voice with 3 or more years of experience were included, whereas those who did not fill out the questionnaire completely were excluded. The analysis addressed absolute and relative frequencies and associations with the chi-square test. Significance was set at 5%. Results: most participants took courses on respiratory approach. The use of facilitating sounds, vocal function exercises, and respiratory instruments stood out, with reported vocal improvements. The use of incentive spirometers was associated with respiratory devices, and age was associated with the use of respiratory instruments. Conclusion: speech-language-hearing therapists with expertise in voice provide voice therapy for dysphonic older people focusing on a respiratory approach. Professionals who use incentive spirometers also use respiratory devices. Older therapists are the ones who most use respiratory instruments and taking specific courses was not associated with knowledge on respiratory parameters.

RESUMO Objetivo: investigar a prática de fonoaudiólogos brasileiros em terapia vocal para idosos com ênfase na respiração e verificar possíveis associações entre realização de cursos específicos e conhecimento sobre parâmetros respiratórios, entre o uso de incentivadores e dispositivos respiratórios e entre a idade e o uso destes instrumentos. Métodos: participaram 156 especialistas em voz, contatados via e-mail, que responderam um formulário na plataforma Google Forms. Foram incluídos especialistas em voz, com experiência maior ou igual a três anos e excluídos aqueles que não preencheram o questionário completamente. Analisaram-se frequências absolutas e relativas e a associação pelo teste Qui-quadrado, com significância de 5%. Resultados: a maioria realizou cursos com abordagem respiratória. Destacaram-se: uso de sons facilitadores, exercícios de função vocal e uso de instrumentos respiratórios, com relatos de melhora vocal. Houve associação entre o uso de incentivadores e dispositivos respiratórios e entre idade e o uso de instrumentos respiratórios. Conclusão: fonoaudiólogos experts em voz realizam terapia vocal para idosos disfônicos com ênfase na abordagem respiratória. Profissionais que usam incentivadores respiratórios usam também os dispositivos respiratórios. Aqueles com mais idade são os que mais utilizam instrumentos respiratórios. A realização de cursos específicos não está associada ao conhecimento sobre parâmetros respiratórios.

Effect of Wendler glottoplasty on voice and quality of life of transgender women

Abstract Objective: To investigate the effect of Wendler glottoplasty on voice feminization, voice quality and voice-related quality of life. Methods: Prospective interventional cohort of transgender women submitted to Wendler glottoplasty. Acoustic analysis of the voice included assessment of fundamental frequency, maximum phonation time formant frequencies (F1 and F2), frequency range, jitter and shimmer. Voice quality was blindly assessed through GRBAS scale. Voice-related quality of life was measured using the Trans Woman Voice Questionnaire and the self-perceived femininity of the voice. Results: A total of 7 patients were included. The mean age was 35.4 years, and the mean postoperative follow-up time was 13.7 months. There was a mean increase of 47.9 ± 46.6 Hz (p = 0.023) in sustained/e/F0 and a mean increase of 24.6 ± 27.5 Hz (p = 0.029) in speaking F0 after glottoplasty. There was no statistical significance in the pre- and postoperative comparison of maximum phonation time, formant frequencies, frequency range, jitter, shimmer, and grade, roughness, breathiness, asthenia, and strain scale. Trans Woman Voice Questionnaire decreased following surgery from 98.3 ± 9.2 to 54.1 ± 25.0 (p = 0.007) and mean self-perceived femininity of the voice increased from 2.8 ± 1.8 to 7.7 ± 2.4 (p = 0.008). One patient (14%) presented a postoperative granuloma and there was 1 (14%) premature suture dehiscence. Conclusion: Glottoplasty is safe and effective for feminizing the voice of transgender women. There was an increase in fundamental frequency, without aggravating other acoustic parameters or voice quality. Voice-related quality of life improved after surgery.

Voice Therapy for Older Adults During the COVID-19 Pandemic in Brazil.

OBJECTIVE: To characterize the clinical practice of Brazilian speech-language-hearing therapists regarding voice therapy for older adults during the COVID-19 pandemic. METHODS: Cross-sectional survey conducted remotely. Data were collected through a form shared online with approximately 1.500 speech-language-hearing therapists. The form included voice therapy practice with older adults during the COVID-19 pandemic. It was responded by 155 voice experts. RESULTS: Most respondents were females with over 21 years' experience in vocal health care, working with both in-person therapy and teletherapy. Obtaining acoustic parameters and using therapy strategies for breathing and body training were the most reported changes in remote therapy during the pandemic. The main difficulties involved wearing masks in in-person therapy and assessing the voice in teletherapy. Patient adherence and goals reached were deemed positive by most participants. Associations were found between place and format of service; between patient adherence and goals reached; and between difficulties in teletherapy and use of complementary therapeutic resources. CONCLUSION: The COVID-19 pandemic led Brazilian speech-language-hearing therapists to change their clinical practice with older adults in both remote and in-person therapy. The main changes involved wearing masks in in-person therapy and assessing the voice in teletherapy. Remote therapy proved to be a safe and effective possibility.

Effects of the Voiced Tongue Trill Technique in Glissandos on the Voice Range Profile of Choir Members: A Preliminary Study.

The objective of this study was to verify the immediate effect of the voiced tongue trill technique in ascending and descending glissandos on the voice range profile of choir members. A total of 25 sopranos, mezzo-sopranos, contraltos, tenors, and baritones participated in the study. They were choir members, aged 20 to 45 years, with no voice symptoms, and able to perform the voiced tongue trill technique. Their voice range profile was analyzed before and after performing the ascending and descending technique for 2 and 5 minutes. The maximum fundamental frequency values in the study groups increased after performing the ascending and descending technique for 2 minutes (P = 0.001) and 5 minutes (P = 0.003). The range in Hz increased after 2 minutes (P = 0.010) and 5 minutes (P = 0.050) of the ascending technique and after 2 minutes (P = 0.001) of the descending technique, and the minimum fundamental frequency mean value suffered interference from the type of technique (ascending/descending). The immediate effects of VTTT in glissandos on the VRP of choir members' considering the two factors: condition and time, in ascending and descending glissandos for 2 and 5 minutes increased the maximum frequency and the range in Hz of choristers. Regarding volume levels results, no difference was found in intensity after applying the technique.

Prosodic Differences in the Voices of Transgender and Cisgender Women: Self-Perception of Voice - An Auditory and Acoustic Analysis.

INTRODUCTION: The voice is an important parameter for identifying the speaker's gender. Transgender people seek to adapt their bodies to gender identity, and transgender women have greater difficulties in achieving vocal acceptance. In this context, the evaluation of the various parameters of the voice of transgender and cisgender women is essential to make it possible to propose appropriate intervention measures. OBJECTIVES: To identify the differences in vocal characteristics of transgender and cisgender women. METHODS: An sectional study was conducted. The sample comprised 20 transgender women and 20 cisgender women who underwent evaluation of acoustic parameters, emotional prosody, self-perception, and perception of gender by lay listeners. RESULTS: The vocal characteristics of transgender and cisgender women differ in terms of the following parameters: f0, glottal noise excitation (GNE), vocal intensity, speech range profile (SRP), the first three formants of the vowel /a/, and in terms of emotional prosody, including duration and melodic contour. Higher values ​​were mostly found in the cisgender population, except for noise level and vocal intensity. In addition, in most cases lay listeners identified the voices of transgender women as belonging to the male gender. There was a negative correlation between vocal dissatisfaction and f0 among transgender women. CONCLUSIONS: Even though they perform vocal adjustments, the voices of transgender women are different from cisgender women in terms of acoustic parameters, vocal extension, and emotional prosody including duration and melodic contour. These differences have repercussions on the perception of gender by listeners.

Immediate Effect of the Finger-Kazoo Technique Associated with Glissandos in the Voice of Individuals with Parkinson's Disease.

OBJECTIVE: To verify the immediate effect of the Finger Kazoo technique associated with glissandos in the voice of individuals with Parkinson's disease. METHOD: Thirty subjects with Parkinson's Disease comprised of 15 men and 15 women with a mean age of 63.8 years (± 6.88) and mean time of diagnosis of 97.33 (± 63.53) months, all with preserved cognition. The subjects' voice range profile (VRP), speech range profile (SRP), and the maximum phonation time were assessed, before and after applying the Finger Kazoo technique associated with ascending and descending glissando. After the technique, a vocal satisfaction questionnaire was completed. RESULTS: After the applied technique there was an increase in the minimum and maximum fundamental frequency recorded respectively in the SRP and in the VRP; there was an increase in the vocal range (measured in Hertz and semitones) of the women, recorded in the VRP; in the male population, there was an increase in maximum phonation time. A higher percentage of positive references to vocal improvement was observed after the exercise. CONCLUSION: In patients with Parkinson's Disease, the Finger Kazoo with glissando technique promoted an increase in the minimum fundamental frequency of the SRP and in the vocal extensions of women, as well as increasing the maximum phonatory time of men. In addition, patients reported satisfaction with the use of the technique and its results.

Effect of Vocal Therapy Associated With TENS in Women With Behavioral Dysphonia.

PURPOSE: This study aimed to investigate the effect of transcutaneous electrical nerve stimulation (TENS) associated with vocal therapy in women with behavioral dysphonia. METHOD: Seventeen women with behavioral dysphonia were divided into an experimental group (n = 8) and a placebo group (n = 9). All were submitted to six sessions of vocal therapy, according to the Comprehensive Voice Rehabilitation Program. In the experimental group, therapy was associated with TENS (30 minutes) and in the placebo group, the electrodes were placed and the equipment remained off. The vocal handicap, the voice through the acoustic and auditory perception evaluation, the electrical activity, and the superficial temperature of the suprahyoid and infrahyoid muscles were evaluated. Pre and post data were compared by parametric and nonparametric tests. RESULTS: There was a decreased in vocal handicap of the placebo group (P = 0.002) and a decreased in the percentage of electrical activity of the right (P = 0.036) and left (P = 0.017) infrahyoid muscles of the experimental group in vowel emission and sequential speech (P = 0.036). There was an increase in temperature in the right infrahyoid region in vowel emission (P = 0.027) and the temperature difference decreased quantitatively between the supra and infrahyoid regions in the experimental group. CONCLUSION: TENS associated with vocal therapy reduced the electrical activity of the infrahyoid muscles and balance the temperature between the supra- and infrahyoid regions in women with behavioral dysphonia.

Oropharyngeal Geometry and the Singing Voice: Immediate Effect of Two Semi-Occluded Vocal Tract Exercises.

PURPOSE: The aim of this study was to verify the immediate effect of a flexible resonance tube in water and of lip trill on oropharyngeal geometry and vocal acoustic parameters of singers without vocal symptoms. METHODS: Twenty-two adult singers participated in the study. They had an average age of 27 (±4.8) years. Participants were split into two groups: a group composed of 12 singers who performed the flexible resonance tube (FRT) exercise and a group of 10 singers who performed the Lip Trill technique (LTT). Acoustic pharyngometry and acoustic analysis of the voice were used to assess oropharyngeal geometry before and after the exercises. RESULTS: After performing the techniques, the vocal tract length was longer in the group that performed the FRT, compared to the one that performed the LTT. In the acoustic evaluation, there was an improvement in the glottal to noise excitation ratio and a decrease in noise in the group of singers who performed the LTT. In the analysis by sex men had a longer oral cavity compared to women and after application of the techniques greater volume of the vocal tract. CONCLUSION: There was variation in the oropharyngeal geometry with the FRT, while the LTT had a positive effect on the vocal acoustic parameters related to glottal noise.

Voice therapy with a respiratory approach in older people: an integrative literature review / Terapia vocal com abordagem respiratória em idosos: revisão integrativa da literatura

ABSTRACT Purpose: to characterize voice therapy with a respiratory approach in dysphonic older people. Methods: a search made in PubMed, VHL, Scopus, Web of Science, and EMBASE. Original studies in English, Spanish, and Portuguese, addressing voice therapy in combination with a respiratory approach in the older population, were included. The analysis encompassed sex, age, associated etiology, session frequency and duration, exercise dosage, intervention, and benefits. Results: altogether, 1,425 articles were found, of which only nine were included in the review. In voice therapy for older people, the following strategies stood out: Vocal Function Exercises, Lee Silverman Voice Treatment®, ParkinSong, and tubes immersed in water. These approaches change the laryngeal muscle function and respiratory impulse and support and increase vocal intensity. The main therapeutic findings included improved auditory-perceptual, acoustic, and aerodynamic parameters, maximum phonation time, phonatory effort level, and voice quality. Conclusion: voice therapy with a respiratory approach characteristically used strategies aimed at both the general older population and those with neurological dysphonia. Their results showed improvement in frequency, resonance, intensity control, and breathing/phonation coordination.

RESUMO Objetivo: caracterizar a terapia vocal com abordagem respiratória em idosos disfônicos. Métodos: a busca foi realizada nas bases PubMed, BVS, Scopus, Web of Science e Embase. Foram incluídos estudos originais, nos idiomas inglês, espanhol e português, que tratassem sobre terapia vocal associada à abordagem respiratória na população idosa. Foram analisadas as variáveis gênero, faixa etária, etiologia associada, frequência e duração da sessão, dosagem de exercícios, intervenção e benefícios. Resultados: foram encontrados 1.425 artigos, porém, apenas nove foram incluídos na revisão. Na terapia vocal para idosos, destacaram-se as estratégias do Exercício de Função Vocal e o Método Lee Silverman®, além de outras, como o ParkinSong e o uso do tubo submerso em água. Tais abordagens modificam a função da musculatura laríngea, o impulso e o suporte respiratório, bem como o treino para aumento da intensidade vocal. Os principais resultados terapêuticos foram: melhora nos parâmetros perceptivo-auditivos, acústicos, aerodinâmicos, tempo máximo de fonação, nível de esforço fonatório e qualidade vocal. Conclusão: a terapia vocal com abordagem respiratória caracterizou-se pelo uso de estratégias direcionadas tanto à população idosa de forma geral, quanto a populações com disfonia neurológica, cujos resultados mostraram melhoria no controle de intensidade, frequência, ressonância e coordenação pneumofônica.

Do Flexible Silicone Tubes Immersed in Water Combined With Vocalise Improve the Immediate Effect on Voice?

PURPOSE: This study aimed to analyze the immediate effect on a singer's voice of a flexible silicone tube immersed in water combined with ascending and descending vocalise scales compared with ascending and descending vocalise scales alone. METHOD: A pre- and post-intervention quasi-experimental study was conducted. Thirty adult singers between 18 and 45 years old with no laryngeal disorders performed the two techniques for 3 min each on different days. Acoustic measurements of frequency, jitter, shimmer, glottal-to-noise excitation ratio, noise, smoothed cepstral peak prominence (CPPS), maximum phonation time (MPT), voice range profile, and self-perceived vocal effort (Borg Category Ratio 10-BR Scale adapted for vocal effort) were assessed before and after performing the techniques. RESULTS: The results indicated an increase in singers' CPPS and MPT values and a decrease in shimmer and noise when performing with a flexible silicone tube immersed in water combined with vocalise. The singers reported a perception of decreased vocal effort after both methods. However, the diminished perceived vocal effort became more pronounced with the tube phonation technique combined with vocalise. CONCLUSIONS: Phonation in tubes combined with vocalise improved the vocal acoustic parameters (including cepstral measurements), increased MPT, and diminished perceived vocal effort. Although using vocalise alone diminished perceived vocal effort, this decrease was more pronounced in the tube phonation technique combined with vocalise.

Terapia vocal no contexto da Telefonoaudiologia em pacientes disfônicos: revisão integrativa / Voice therapy in the context of Telespeech therapy in dysphonics patients: an integrative review

RESUMO Objetivos Descrever as características da terapia vocal por meio da Telefonoaudiologia com pacientes disfônicos. Estratégia de pesquisa A pesquisa foi baseada na metodologia PCC (População/Conceito/Contexto) e envolveu a elaboração da questão a ser investigada, localização e seleção de estudos, extração de dados e avaliação crítica dos trabalhos, segundo protocolo Joanna Briggs. A busca dos estudos foi realizada nas bases BVS, PubMed/MEDLINE, Web of Science, Scopus e Embase, nos idiomas inglês, português e espanhol, por meio dos descritores do DeCS, MeSH e Emtree, entre os operadores booleanos. Critérios de seleção foram incluídos estudos originais, sem limite de ano de publicação, que envolvessem o atendimento à população disfônica, por Telefonoaudiologia. Foram excluídas as publicações repetidas nas bases de dados. Resultados Foram encontrados 5.740 estudos, dos quais apenas quatro artigos foram incluídos após os critérios de elegibilidade. As publicações foram registradas entre 2015 e 2020, com maior número nos Estados Unidos da América. A maioria dos trabalhos foi realizada com mulheres idosas. A intervenção apresentou variações quanto ao método de funcionamento, segurança de dados, número, frequência e duração de sessões, além de exercícios terapêuticos. Ademais, foram apontadas melhorias em diversos parâmetros vocais avaliados nos estudos. Conclusão A Telefonoaudiologia junto a pacientes disfônicos é voltada para diferentes públicos com etiologias vocais diversas. Além disso, há diferentes metodologias empregadas para o atendimento em voz à distância, com resultados positivos relacionados aos parâmetros vocais, bem como satisfação do paciente quanto ao tratamento realizado nesse formato.

ABSTRACT Purpose To describe the characteristics of telespeech therapy for dysphonic patients. Research strategy The research was based on the PCC method (Population/Concept/Context) and involved developing the research question, finding and selecting the studies, extracting the data, and clinically assessing the papers, based on Joanna Briggs protocol. The studies were searched in VHL, PubMed/MEDLINE, Web of Science, Scopus, and EMBASE in English, Portuguese, and Spanish, with descriptors from DeCS, MeSH, and Emtree and using the Boolean operators. Selection criteria Original studies addressing telespeech therapy for the dysphonic population were included, with no restriction of publication year. Duplicate publications in the databases were excluded. Results A total of 5,740 studies were found, of which only four were included based on the eligibility criteria. The studies were published between 2015 and 2020, and most of them were from the United States. Most studies were carried out with older women. The intervention had a variety of functioning methods, data safety, number, frequency, and duration of the sessions, and therapeutic exercises. There were improvements in various voice parameters assessed in the studies. Conclusion Telespeech therapy for dysphonic patients is aimed at different audiences with different voice problem etiologies. Various methodologies were employed in remote voice healthcare with positive voice parameter results and the patients' satisfaction with the treatment they received in this format.

Immediate Effect of a Resonance Tube on the Vocal Range Profile of Choristers.

OBJECTIVE: The aim of this study was to determine the immediate effect of the resonance tube technique associated with ascending and descending glissando on the vocal range profile (VRP) of amateur choristers. METHOD: The sample consisted of 40 choristers aged between 18 and 57 years (average of 26.28 ± 7.51 years) with the following voice types: soprano, contralto, tenor and bass, with no vocal symptoms. Recordings of the VRP of the choristers were made before and after performing the resonance tube technique executed in ascending and descending glissando for 3 minutes in each modality. The recordings were made in the VRP of specific software. RESULTS: The VRP of the choristers increased after application of the ascending and descending technique. Stratifying by voice types showed an increase in contralto, tenor and bass after the ascending glissando technique and in tenor and bass after the descending technique. CONCLUSION: The resonance tube technique associated with ascending and descending glissando increased the VRP in contralto, tenor and bass voice types, as well as the maximum frequency and range in hertz and semitones, in all the voice types of the choristers under study, justifying its application in the vocal warm-up of this population.

Laryngeal and Vocal Characterization of Asymptomatic Adults With Sulcus Vocalis

Abstract Introduction Sulcus vocalis is defined as a longitudinal depression on the vocal cord, parallel to its free border. Its most marked characteristic is breathlessness, caused by incomplete glottal closure, in addition to roughness, due to the decrease in mucosal wave amplitude of the vocal cords. Vocal acoustic aspects, such as fundamental voice frequency, jitter, and shimmer, may also be altered in individuals with this type of laryngeal disorder. To assess the voice of individuals with sulcus vocalis, studies generally include a sample of subjects with vocal symptoms, excluding asymptomatic persons. To better characterize the vocal characteristics of individuals with sulcus vocalis, their asymptomatic counterparts must also be included. Objective Characterize the larynx and voice of asymptomatic adults with sulcus vocalis. Method A total of 26 adults, 13 with sulcus vocalis (experimental group) and 13 without (control group) were assessed. All the participants were submitted to suspension microlaryngoscopy, voice self-assessment, auditory perception and acoustic evaluation of the voice. Results Among the individuals with sulcus vocalis, 78% of the sulci were type I and 22% type II. Auditory perception assessment obtained statistically significant lower scores in individuals with sulcus vocalis compared with the control group, and a slight difference in the overall degree of hoarseness and roughness. No statistically significant intergroup diferences were found in self-reported voice or acoustic assessment. Conclusion Type I was the predominant sulcus vocalis observed in individuals without voice complaints, who may also exhibit slight changes in vocal quality and roughness.

Laryngeal and Vocal Characterization of Asymptomatic Adults With Sulcus Vocalis.

Introduction Sulcus vocalis is defined as a longitudinal depression on the vocal cord, parallel to its free border. Its most marked characteristic is breathlessness, caused by incomplete glottal closure, in addition to roughness, due to the decrease in mucosal wave amplitude of the vocal cords. Vocal acoustic aspects, such as fundamental voice frequency, jitter, and shimmer, may also be altered in individuals with this type of laryngeal disorder. To assess the voice of individuals with sulcus vocalis, studies generally include a sample of subjects with vocal symptoms, excluding asymptomatic persons. To better characterize the vocal characteristics of individuals with sulcus vocalis, their asymptomatic counterparts must also be included. Objective Characterize the larynx and voice of asymptomatic adults with sulcus vocalis. Method A total of 26 adults, 13 with sulcus vocalis (experimental group) and 13 without (control group) were assessed. All the participants were submitted to suspension microlaryngoscopy, voice self-assessment, auditory perception and acoustic evaluation of the voice. Results Among the individuals with sulcus vocalis, 78% of the sulci were type I and 22% type II. Auditory perception assessment obtained statistically significant lower scores in individuals with sulcus vocalis compared with the control group, and a slight difference in the overall degree of hoarseness and roughness. No statistically significant intergroup diferences were found in self-reported voice or acoustic assessment. Conclusion Type I was the predominant sulcus vocalis observed in individuals without voice complaints, who may also exhibit slight changes in vocal quality and roughness.

The voice use of street artists. / O uso da voz em artistas de rua.

PURPOSE: To investigate the voice use of street artists from their vocal complaints, vocal disadvantage related to their profession, the perception of the conditions and the environment in which they use their voice, in addition to the role of the voice in their profession. METHODS: Twenty-four street artists participated in this study. They all responded to two protocols: Vocal Symptoms Scale (VSS) and Vocal Disadvantage Index (VDI-10), and to two questionnaires: one with objective questions related to their working conditions and environment, and the other containing open questions regarding the meaning of the voice. Mean values of responses to both protocols were calculated. Frequency description and percentiles present the results of the questionnaire with closed questions. Analysis of the data from the questionnaire with open questions was done using the content analysis method. RESULTS: Mean values of the VSS were above normal limits, while the mean values of the VDI-10 were within normal limits. Some risk factors for vocal disorders were found, as the lack of use of the microphone and a dusty, smoky, and noisy working environment. Regarding the importance of the voice, two categories were identified: the need to care for their voice and the impact their voice has on people. CONCLUSION: There are vocal complaints among street artists, but no vocal disadvantage was found. The working conditions and environment are a risk to the artists' voice. The importance of the voice to the group is related to their professional activities, relation with the public, and professional and personal satisfaction.

OBJETIVO: Investigar o uso da voz em artistas de rua, a partir da autorreferência de queixas vocais, desvantagem vocal associada à profissão, percepção do ambiente e condições de uso da voz na atividade, e representação da voz para a atividade profissional. MÉTODO: Participaram 24 artistas de rua, que preencheram os protocolos ESV (Escala de sintomas vocais), IDV-10 (Índice de Desvantagem Vocal), além de dois questionários, um composto por questões objetivas relacionadas ao ambiente e condições de trabalho e um segundo com perguntas abertas sobre representação da voz. Para análise quantitativa, foi realizada uma estatística simples verificando a média do ESV e IDV-10 e para o questionário de perguntas fechadas, a frequência e a porcentagem dos resultados. Na análise qualitativa, foi utilizado o método de análise do conteúdo. RESULTADOS: A média do resultado da ESV foi acima do ponto de corte da normalidade e do IDV-10 dentro da normalidade. Surge como fator de risco vocal o não uso do microfone, o ambiente de trabalho com poeira e fumaça e o local de trabalho ser ruidoso incomodativo. Sobre a representação da voz, foram identificadas três categorias: importância da voz para os artistas de rua, cuidados com a voz e o impacto da voz sobre as pessoas. CONCLUSÃO: Existem queixas vocais, porém não há impacto na qualidade de vida. O ambiente e condições de trabalho trazem riscos a distúrbios da voz. A representação da voz para o grupo se relaciona à sua atividade profissional, relação com público, satisfação pessoal e profissional.

O uso da voz em artistas de rua / The voice use of street artists

RESUMO Objetivo Investigar o uso da voz em artistas de rua, a partir da autorreferência de queixas vocais, desvantagem vocal associada à profissão, percepção do ambiente e condições de uso da voz na atividade, e representação da voz para a atividade profissional. Método Participaram 24 artistas de rua, que preencheram os protocolos ESV (Escala de sintomas vocais), IDV-10 (Índice de Desvantagem Vocal), além de dois questionários, um composto por questões objetivas relacionadas ao ambiente e condições de trabalho e um segundo com perguntas abertas sobre representação da voz. Para análise quantitativa, foi realizada uma estatística simples verificando a média do ESV e IDV-10 e para o questionário de perguntas fechadas, a frequência e a porcentagem dos resultados. Na análise qualitativa, foi utilizado o método de análise do conteúdo. Resultados A média do resultado da ESV foi acima do ponto de corte da normalidade e do IDV-10 dentro da normalidade. Surge como fator de risco vocal o não uso do microfone, o ambiente de trabalho com poeira e fumaça e o local de trabalho ser ruidoso incomodativo. Sobre a representação da voz, foram identificadas três categorias: importância da voz para os artistas de rua, cuidados com a voz e o impacto da voz sobre as pessoas. Conclusão Existem queixas vocais, porém não há impacto na qualidade de vida. O ambiente e condições de trabalho trazem riscos a distúrbios da voz. A representação da voz para o grupo se relaciona à sua atividade profissional, relação com público, satisfação pessoal e profissional.

ABSTRACT Purpose To investigate the voice use of street artists from their vocal complaints, vocal disadvantage related to their profession, the perception of the conditions and the environment in which they use their voice, in addition to the role of the voice in their profession. Methods Twenty-four street artists participated in this study. They all responded to two protocols: Vocal Symptoms Scale (VSS) and Vocal Disadvantage Index (VDI-10), and to two questionnaires: one with objective questions related to their working conditions and environment, and the other containing open questions regarding the meaning of the voice. Mean values of responses to both protocols were calculated. Frequency description and percentiles present the results of the questionnaire with closed questions. Analysis of the data from the questionnaire with open questions was done using the content analysis method. Results Mean values of the VSS were above normal limits, while the mean values of the VDI-10 were within normal limits. Some risk factors for vocal disorders were found, as the lack of use of the microphone and a dusty, smoky, and noisy working environment. Regarding the importance of the voice, two categories were identified: the need to care for their voice and the impact their voice has on people. Conclusion There are vocal complaints among street artists, but no vocal disadvantage was found. The working conditions and environment are a risk to the artists' voice. The importance of the voice to the group is related to their professional activities, relation with the public, and professional and personal satisfaction.

Correlação entre a capacidade vital lenta e o tempo máximo de fonação em idosos / Correlation between slow vital capacity and the maximum phonation time in elderly

RESUMO Objetivos: verificar a relação existente entre a capacidade vital lenta e o tempo máximo de fonação em idosos. Método: o estudo foi do tipo analítico e observacional, de corte transversal, realizado na Universidade aberta a Terceira Idade na instituição de origem, no período de junho a outubro de 2014. Participaram 61 idosos do sexo feminino, não tabagistas. Foram excluídos portadores de Doença Pulmonar Obstrutiva Crônica e/ou doenças respiratórias, indivíduos com problemas neurológicos ou de audição e profissionais da voz. Todos os participantes foram avaliados quanto à capacidade vital lenta e tempo máximo de fonação. Foram coletados ainda os seguintes dados: sexo, peso, estatura, idade e índice de massa corpórea. Resultados: os dados demonstram que os valores de capacidade vital lenta e tempo máximo de fonação estão reduzidos na terceira idade. Além disso, existe uma correlação positiva entre a capacidade vital lenta e o tempo máximo de fonação do /s/ e /z/ no sexo feminino. Conclusões: com o envelhecimento, medidas de respiração e voz podem estar reduzidas. Além disso, existe uma associação entre a capacidade vital lenta e o tempo máximo de fonação em mulheres idosas, sugerindo a influência que a respiração exerce sobre a fonação nesta população específica.

ABSTRACT Purposes: to verify the existing relationship between the slow vital capacity and maximum phonation time in the elderly. Methods: the study was analytical and observational, cross-sectional, conducted at the Open University Senior Citizens at the origin institution, in the period from June to October 2014, with 61 elderly female, nonsmokers. We excluded patients with chronic obstructive pulmonary disease and / or respiratory diseases, individuals with neurological or hearing problems and voice professionals. All participants were assessed for slow vital capacity and maximum phonation time. The following data were also collected: gender, weight, height, age and body mass index. Results: the results showed that the values of slow vital capacity and maximum phonation time are reduced in the elderly. In addition, there is a positive correlation between the slow vital capacity and maximum phonation time of / s / and / z /. Conclusion: with aging, breathing and voice measures may be reduced. In addition, there is an association between the slow vital capacity and maximum phonation time in older women, suggesting the influence that breathing exercises over phonation in this specific population.